Gokul Muru
Ms. Wilson
English IVA
29 August 2014
Analysis:
This
paragraph that I have picked is a clear representation of the theme of
overcoming darkness. As a whole, this paragraph effectively shows the consequences
of an action which was described near the mid-point of the story. This action
has been reiterated throughout key points within the novel, however what the
action was and how it affected others, did not appear until the very end of the
book. Many conflicts that the characters face are resolved within this
paragraph. This paragraph from the novel Beloved by Toni Morrison,
carries itself with the uses of mild diction, powerful imagery, and various
uses of syntax in order to convey the theme of overcoming darkness.
Firstly,
the diction plays a central role in the usefulness of this last paragraph.
“Occasionally, however the rustle of a skirt hushes when they wake, and the
knuckles brushing a cheek in sleep seem to belong to a sleeper,” (Morrison
324). This line exemplifies how diction has proved to be very vital to the
paragraph. Words such as “hushes” and “brushing” allow for the reader to get a
sense of the presence of darkness. Obviously, it does not state that the
darkness is involved with potential harmful behavior at this point of the story,
however it keeps an eye on the characters. The paragraph references sleep
through the use of words such as “sleeper” which help to carry the tone that darkness
is a sort of a nightmare and carries no reality within the story as of now. The
darkness is only present within small traces without completely being
eliminated; this idea is effectively conveyed by the author through the use of
her words. Diction seen in this passage
serves as an indication that climax point has been reached.
Secondly,
imagery plays a key role in describing the darkness that once haunted the two
main characters of the novel, Sethe and Denver.
The novel states, “It took longer for those who had spoken to her, lived
with her, fallen in love with her, to forget until they realized they couldn’t
remember or respect a single thing she said, and began to believe that,”
(Morrison 323-324). Lines such as “spoken to her,” “lived with her,” and “they
couldn’t remember or respect a single thing she said,” helps to establish the
presence of a figure. The book conveys the character as a loving individual.
Even though the imagery is not explicit within the paragraph, it carries an
implicit statement that allows the reader to imagine a presence that they
believed to have been very consoling. The imagery does not give specifics of
the character’s looks, however it gives the freedom to the reader to imagine
this character for themselves. This type of implicit imagery allows for the
character to be connected to the reader in a more emotional manner. Therefore,
it establishes a well-defined conclusion that is vital to the rest of the
novel.
Thirdly,
the various types of syntax, ranging from small to large sentences, help
establish tone and mood within the novel. The conclusion of the novel carries a
pattern of a chunky paragraph followed with a small paragraph; this pattern
occurs three times. The passage is here as follows, “In the place where long
grass opens, the girl who waited to be loved and cry shame erupts into her
separate parts, to make it easy for the chewing laughter to swallow her all
away. (new paragraph) It was not a story to pass on,” (Morrison 323). The
sentence structures help to pace the ending of the novel at a much slower rate.
Lines in between two big paragraphs such as “It was not story to pass on,” help
to create an effect that the darkness involved in the story is defined as an
idea that is inevitable. The syntax by
slowing down also creates the illusion of suspense of whether the darkness will
come back to haunt them.
All
in all, Toni Morrison utilizes syntax, figurative language, and imagery to
create the intended effect for the reader. This effect allows for the reader to
assume that darkness is still in trace quantities within Sethe and Denver’s
household. The language, although cryptic at certain points, implies that
darkness is never fully overcome; the memories of that darkness always remain
intact, but they are dismissed as that of a bad dream. Without the effect of
imagery Toni Morrison would not have been able to create a light-weighted
effect within a heavy concept. Without the mixture of syntax, the mixture of
subtleness and intensity would not have been present. Without
the use of figurative language, this metaphorical passage would not have been
relatable to the audience. Therefore, the last set of paragraphs were essential
to establishing the overall theme of the novel.
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